Nesting Up: In Defense of Knick-Knacks.
This is a guest post by Emily Power.

I dig the minimalist aesthetic. I love neutral colors, clean lines, and practical objects. I understand the importance of simplicity and letting something–a room for example–speak for itself in one’s use of quality furniture and understated tones and lack of clutter. I love only owning things that I use or that serve some sort of purpose.
But I also love stuff. I love little useless items–like brass ducks and porcelain figurines–and I love them adorning my shelves. And I am not sure whether I feel guilty about this because I keep reading design blogs that poo-poo this sort of STUFF or because, despite my obvious inclination toward curio, it’s the rooms that are so simple and sparse that I drool over. I feel like I am betraying myself and the aesthetic I lust after.
But the fact of the matter is: tchotchkes rock. they make my life and my shelves complete. (That, and I’m mourning the recent and tragic loss of my memories [photos] from the last two years on my external hard-drive. Thus, it’s hard to focus on anything besides the intrinsic sentimental value of what I still possess.)
Which is where my argument begins: knick-knacks serve a purpose in that, if they are chosen and displayed tastefully, they are able to tell a story. Some of the knick-knacks I display are nothing but cute or neat looking or work with the look I’m going for. But most of them–most of these small, seemingly unimportant objects–speak of the past.
The following photos are of the four curio-filled shelves that occupy two walls and make this little bungalow a little more of a home.


The print in the green frame and the yellow print below it are by Tim Fite who JP and I discovered when we went to see Man Man in Chicago last winter. The brass bird is a thrift store find. It’s for sale but I’m secretly hoping no one buys it. I received the ceramic jar from relatives who used to live in Malawi and the glass vase is filled with stones and currency and trinkets from my travels with my husband as well as beautiful feathers from our chickens.


The letterpress blocks are from my mother. She gave us “EOD & JBP” as a gift for our engagement. I flipped the D to make a P when we got married. I found the turkey legs at an estate sale in Minneapolis this summer. They go well with my poultry obsession but I still get creeped-out looks from guests. I’m well aware I’m teetering on the edge of crazy-bird-lady status. The mini tray reads: “Flattery will get you somewhere. Start talking.” Commentors: take note.

The shelf in our living room holds various glass bottles, an etched vase given to us by JP’s grandmother, cactus, sickeningly-sweet photos of the two of us, and a chopstick holder in the shape of a paper crane–there was never any intention of using it for its proper purpose when I purchased it. The shelf itself I bought in Denver for $10 from the very man that built it 30 years ago.


What are your most beloved knick-knacks? What is your argument for or against knick-knacks or trinkets?
Emily is an urban homesteader who recently celebrated the arrival of her first egg. In an attempt to not become a pack rat she has opened two shops on etsy: ollie’s vintage and cookshop denver.




It worked out well as I’m definitely a fan of displaying kitchen ware but, yes, it is a dusting nightmare.


Our wild wild west house came outfitted with a log beam held up by two other logs. I’m not a huge fan of the stain of the wood but the beams naturally create a sort of room divider. We worked off of that. You can see one of the logs hiding behind the coats and leashes hung upon it.




Things in progress: new blinds and curtains and a lamp shade from (or inspired by) 







